Handloom weaving is not only the lifeblood but also an integral aspect of north-eastern culture and identity. This article focuses on the culture of weaving in the state of Assam. Weavers are present both in the tribal and non-tribal populations of Assam, more so the tribal populations . Tribes like  the Boro-Kachari, Dimasa Cachari, Mishing, Mech, Karbi Anglong and Lalung are all part of the community of weavers. Textiles are exclusively the woman’s area of expertise as the tribes believe that partaking in an effeminate job like weaving would result in loss of virility for the men. This belief still holds good in many parts of Assam. The women weavers painstakingly and deftly create textures and patterns symbolic of the cultural practices, history and identity of their tribe.A loin-loom is used for domestic purpose weaving in the Assamese lowlands and the slightly complex and high-end fly-shuttle looms are used for commercial weaving.

Cotton, muga, pat (mulberry silk) and eri (endi) are the main fabrics that are woven in Assam. Textiles like shawls, saris, furnishings and bedspreads are usually woven from pure Assamese cotton. Chadars and Mekhalas - which is the traditional dress worn by indigenuous Assamese women - are also made from this cotton. The Muga fabric was historically used to make clothing for royalty due to its naturally golden texture. It is adequately warm and is used to make winter clothing in particular. Muga silk fabrics were also known for their ornate zari work which were coveted by royalty, but today the zari has been replaced by modern/contemporary designs featuring multicolour threadwork. The Pat or Mulberry silk is a variety of domestic silk produced in Assam. The pat silk has a natural off-white or cream tone and is known for its durability and glossy sheen. It is used to make both traditional clothing like Mekhalas and outdoor clothing like Chadars. The Eri or Endi silk fabric is also called Ahimsa Silk, due to the non-violent process by which it is harvested. It is also referred to as the fabric of peace as it is processed without killing the silkworm. The silk is spun from the cocoons after the moths have left. This fabric is particularly coveted by Buddhist monks due to its non-violent origins. Due to its moisture-absorbent qualities, thermal properties and soft texture, the Eri silk fabric is used to make both outerwear and other clothing like dress materials and baby clothes. Weavers of Cachar district are known for making the lasingphee silk fabric which is warm and soft and woven with excellent artistry using vibrant yarn.

 The patterns generally woven by the weavers of Assam showcase human figures, flowers, birds, animals and diamonds, with the designs being symbolic of the different ethnic groups and tribes of the area. Geometric patterns embellished with floral designs are woven on strips of cloth with traditional colours using a loin-loom. These strips are then stitched together to make a bigger garment. The Mirijim is a traditional tribal design known for its intricacy and regality, and is usually done on mattresses, rugs and other floor coverings as a show of honour for visiting guests and dignitaries. The Bihuan is another custom sacred to Assamese society, where the new bride has to present a self-woven gamosa/towel to her groom as a symbol of her love and to the elders present as a token of respect. These towels are white in colour with various patterns at both ends. Flowers, foliage, geometric shapes, birds and animals are some of the common patterns used.

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